Wednesday, August 26, 2009
Ten Books
Delving into The Lovely Bones
It is certainly not an everyday occurrence that I come upon a book that holds my attention in tight suspense throughout the entirety of its pages. I actually became increasingly excited as the hours passed, waiting to write this blog. The word that kept popping into my mind was “ethereal.” I adored the way that Sebold’s writing style kept me adrift, as if I were floating beside the main character. But, as the reading continued, I became increasingly dissatisfied as the text adopted a distinct disjointedness, assuming the role of a faded memory.
The concept of the novel, the idea of following the life after murder seemed somewhat unconventional, though I am sure that it has been done before. It is a departure from the CSI’s and Law and Order’s, creating a surreal, yet emotional scene. Certain moments, passing words, clung to me, begging to be explored. The idea, the family behind the grief stung me. For the first fifty or so pages, I am fairly certain that approximately every two pages or so I shed a handful of tears. The children fit into my family, in terms of birth order, and so it became a very personal series of what-if’s. My mind reeled, and, somewhat embarrassingly, I was unable to continue reading this novel while in public.
About seventy-five pages through I began to dog-ear pages. Something about the innocence of Susie, coupled with a laziness only defined by summer, told me not take notes in the book. Around page one hundred and thirty, I began to observe as the characters complicated, my primary focus being on Mr. Harvey. I still find it difficult to imagine the murdered having a bit of soft compassion for the murderer. Susie’s ability to recognize and validate her murderer’s actions as somewhat helpless is equally astounding and puzzling. The strangest part, though, was when I began searching for the passages only involving George Harvey, eager to read into the mind of a murderer.
As I stated earlier, as the pages grew in number, I felt as if I were becoming detached from the characters, and, well, I didn’t like it. I wanted to know more. I still want to know more. I wanted, just like Susie, I suppose, to follow them through and live and breathe their lives. As the years became more and more vague, more and more sparse, I felt a bittersweet tug in my gut. I yearned for everything to come full circle, but instead, it became farther away, less tangible.
Although the text was distant as the ending neared, the last line absolutely pierced through me, completely out of place.
“I wish you a long and happy life” (328).
No! That last sentence angers me beyond belief. It bothers me to no end. I still cannot place quite what is amiss. Perhaps it’s the “La la la, everything’s lovely! The end,” feel to the line. That line haunts me, almost, just as the story sends shivers up my spine. Why?
Of one thing I am sure, Alice Sebold’s other novels are going to be placed on my reading list (520).